PETE MALKIN

Pete Malkin is a Sound Designer that trained at the Royal Central School of Speech and Drama. Sound Designing credits include: A Midsummer Night’s Dream (RSC), Othello (National Theatre), Let the Right One In (Royal Exchange),Death of England (National Theatre), There is a Light That Never Goes Out: Scenes from the Luddite Rebellion (Royal Exchange/Kandinsky), The Cherry Orchard (Simon McBurney, Toneelgroep Amsterdam), Privacy (Kilden Theatre Norway), Death of a Salesman (Manchester Royal Exchange), The Unreturning (Frantic Assembly), Pity (Royal Court), Queens of the Coal Age (Manchester Royal Exchange), Schism (Park Theatre), The Kid Stays in the Picture(Complicité/Royal Court), The Tempest (Donmar Warehouse/St Ann’s Warehouse), Harry Potter and the Cursed Child (West End), Beware of Pity (Complicité), The Encounter (Complicité), Frogman (Curious Directive), Treasure, Home Chat(Finborough), Unearthed (Folio Theatre), Am I Dead Yet (Unlimited Theatre), Dusk (Fevered Sleep), The Forbidden Zone(Katie Mitchell/Leo Warner, Salzburg Festival), War Correspondents (Helen Chadwick/Steven Hoggett, UK Tour), The Commission/Café Kafka (Aldeburgh, Linbury Studio, Opera North), 1984 (Headlong), SUN (National Art Service), The Magic Flute (ENO/Complicité), The Noise (Unlimited Theatre), Farragut North (Southwark Playhouse), Space Junk(Lyric/Gameshow), Lionboy (Complicité), Hamlet (RSC), Rock Pool (Inspector Sands), Die Zauberflöte (Simon Mcburney, DNO/Complicite), Marguerite (Tabard Theatre), Night Train (Katie Mitchell, Cologne). Pete won multiple awards for Complicité and Simon McBurney’s “The Encounter” including 2017 Special Tony award for Sound Design, 2017 Drama Desk Outstanding Sound Design in a Play, 2017 Helpmann Award for Best Sound Design and 2016 Evening Standard Award for Best Design.