PETE MALKIN

Pete Malkin (he/him) is a sound designer that trained at the Royal Central School of Speech and Drama. Sound Design credits include: Brighter Still (Bradford City of Culture Closing Ceremony); Otherland (Almeida Theatre); Robin/Red/Breast (Factory International); Midsummer Night’s Dream (RSC); Let the Right One In, Death of a Salesman, Queens of the Coal Age (Royal Exchange); There is a Light That Never Goes Out: Scenes from the Luddite Rebellion (Royal Exchange/Kandinsky); The Cherry Orchard (Simon McBurney, Toneelgroep Amsterdam); Privacy (Kilden Theatre Norway); The Unreturning (Frantic Assembly); Pity (Royal Court); Schism (Park Theatre); The Kid Stays in the Picture (Complicité/Royal Court); The Tempest (Donmar Warehouse/St Ann’s Warehouse); Beware of Pity (Complicité); Frogman (Curious Directive); Treasure, Home Chat (Finborough); Unearthed (Folio Theatre); Am I Dead Yet (Unlimited Theatre); War Correspondents (Helen Chadwick/Steven Hoggett, UK Tour); The Commission/Café Kafka (Aldeburgh, Linbury Studio, Opera North); SUN(National Art Service); Farragut North (Southwark Playhouse); Space Junk (Lyric/Gameshow); Marguerite (Tabard Theatre). As Co-Sound Designer: Othello (National Theatre); The Chairs (Almeida Theatre) Death of England: The Trilogy (National Theatre); The Encounter (Complicité); The Noise (Unlimited Theatre). As Associate Sound Designer: Harry Potter and the Cursed Child (West End); 1984 (Headlong); The Magic Flute (ENO/Complicité); Lionboy(Complicité); Hamlet (RSC); Rock Pool (Inspector Sands); Die Zauberflöte (Simon McBurney, DNO/Complicite). Pete won multiple awards for Complicité and Simon McBurney’s The Encounter including 2017 Special Tony Award for Sound Design, 2017 Drama Desk Outstanding Sound Design in a Play, 2017 Helpmann Award for Best Sound Design and 2016 Evening Standard Award for Best Design.